By this I mean that we will no longer have a shut down system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Origami Modèle Avion En Papier Pliage fleur
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other
Kent du Pre has done such work on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have made an appearance occasionally, however the most extreme form occur in Paper Wonder with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent mention of the techniques is by Toshie Takahama Avion En Papier Planeur Facile A Faire who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling That is now usual in animal folds to call for a final modelling particularly when foil has been used and one can be certain of the substance remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The technique of wetting the paper is apparently Japanese in Origami Paper origin was demonstrated by Yoshizawa at a Convention in Luton. Another method of moist moulding using paste in the preparation is discussed by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The retracts tend to be gentle and we are approaching statue rather than Origami.
Fleur en papier
The cutting out of holes etc. to indicate eyes etc is sometimes found in Japanese books and we are obviously coping with method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which Avion En Papier Planeur means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and plainly here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form we might use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. The most unusual form of 'display mechanics' that I actually am knowledgeable about is by Toyoaki Kawai.
Bateau en papier
Typically the associated arts are Weaving cloth
and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of paper each folded to represent some part of the animal and then brought Bateau En Papier Facile with each other. The idea may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have appeared for folding a monster from a quantity of squares of different sizes.
Comment faire un avion en papier
Within the most extreme combos of water and paper we are, naturally , in the world of papier-mache which is evidently an open-ended art. DecoratingThe easiest step from a single color is one side coloured and one white or plain. A great package of modern Origami uses this colour difference. The delightful example is Mary Homewood's Robin. We can use Origami Box the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to an exclusive model. The end of this process is evidently the decoration of the ultimate model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bows and finally string.